Letterpress title page reading: A General History of the Pyrates, from their first Rise and Settlement in the Island of Providence, to the present Time. With the remarkable Actions and Adventures of the two Female Pyrates Mary Read and Anne Bonny. Below sits a two-column list of sixteen chapters, from Captain Avery to Captain Spriggs, and a note of a short abstract of the statute and civil law in relation to piracy. A line between rules reads: The second Edition, with considerable Additions, By Captain Charles Johnson. The imprint reads: London, printed for, and sold by T. Warner, at the Black-Boy in Pater-Noster-Row, 1724.
Title page, A General History of the Robberies and Murders of the most notorious Pyrates London, 1724; this digitised copy is the second edition, printed for T. Warner, and its own label says so. The near-contemporary source that is also the principal maker of the age's legend. Smithsonian Libraries copy, digitised (Internet Archive).

The events in the last seven rooms were real, dated and documented. The name was neither of those things when they happened. No pirate in this Collection ever called his age golden, and the phrase that now covers all of them was coined long after the last of them was hanged.

The earliest systematic use yet found is a chapter title. John Fiske headed Chapter XVI of Old Virginia and Her Neighbours, in 1897, and the wording is worth reading exactly, because it is "of Pirates", not "of Piracy".

"The Golden Age of Pirates"

John Fiske, chapter title, Old Virginia and Her Neighbours (1897). The chapter opens "The business of piracy has never thriven so greatly as in the seventeenth century", and his era was broader than the modern Atlantic frame.

An earlier casual use is attributed to the journalist George Powell in 1894, but Powell's own text has not been read, so the attribution rests on a later carrier and the room carries it one step below the Fiske coinage. Probable The 1897 use is Confirmed from Fiske's own text and is the anchor.

The book above is the other half of the story. Charles Johnson's General History, first published in 1724, is at once a near-contemporary source for the suppression and the principal myth-maker of the age's supposed coherence, the book that gave the pirates their faces and their unity. Where it is the sole carrier of a claim, the Archive caps that claim at Possible and frames it as tradition, not record. Possible The title page is a Confirmed publication artefact; the cap attaches to what rests on Johnson alone, not to the object.

Engraved plate. A long-haired figure in a plumed tricorn hat and richly patterned coat stands full length on a shore, a raised sword in his right hand, the other hand on his hip. Behind him two large sailing ships ride close inshore, each flying a dark flag, with a line of further ships along the coast beyond and a compass rose in the water at lower right. The engraved caption beneath reads: Captain Bartho. Roberts with two Ships, Viz. the Royal Fortune and Ranger, takes 11 Sail in Whydah Road on the Coast of Guiney, January 11th 172½. The engraver's signature at right reads B. Cole sculp.
Captain Bartho. Roberts with two Ships Engraved plate from Johnson's General History (London, 1724). Its own printed caption names the Royal Fortune and Ranger and the taking of eleven sail in Whydah Road. An artefact of the legend, not a likeness.
Engraved plate of a bearded figure labelled Blackbeard the Pirate, standing on a shore in a long coat with a sword, ships behind. The engraving is an imaginative illustration from a printed book, not drawn from life.
Blackbeard the Pirate Engraved plate from Johnson's General History (London, 1724). The familiar face is the engraver's invention. An artefact of the legend, not a likeness.

The end of the Golden Age theme gallery carries the periodisation and the fuller myth audit. What this room adds is the closing move: it ends not on a gallows but on a title page. The last thing to arrive in this story was its name, supplied by a book that invented the faces and a historian who was not there. The final room shows where the evidence for all of it is firm, and where it is still in boxes at Kew.

Records in this room